Hana Jušić

Hana Jusic stands as a singular voice in contemporary Croatian cinema, emerging from the prestigious Academy of Dramatic Art in Zagreb with a keen eye for the fractured dynamics of family and the suffocating weight of domestic expectation. Her work often occupies a space of psychological claustrophobia, where the banality of everyday life collides with a simmering, surreal melancholy. Through a lens that is both clinical and deeply empathetic, she dissects the quiet traumas of womanhood, rendering the mundane in stark, haunting compositions that linger long after the screen fades to black. Her breakout feature, Quit Staring at My Plate, established her as an uncompromising auteur on the international stage, earning critical acclaim and the FEDEORA award at the Venice International Film Festival. The film serves as a testament to her mastery of tone, balancing grim austerity with moments of jarring, dark humor. By capturing the turbulent interiority of her protagonists with surgical precision, Jusic has solidified her place as a vital force in European art-house cinema, consistently challenging the boundaries of traditional narrative while inviting audiences into the complex, often unsettling shadows of the human condition.